Lakehouse Portrait Co. / Appalachian Botanicals
Appalachian Botanicals
Native Appalachian plants discovered along lakes, banks, creeks, coves, and forest edges, painted through water, light, habitat, and place.
The flowers came first. The habitats stayed with me.
A collection of plants I stopped for
These are not isolated flower studies.
These paintings began the same way many of my paintings begin: by stopping the boat, walking a bankline, or following a creek because something made me want to look closer.
The plants matter, but the places around them matter too. Cumberland Azalea above sandstone and green water. Great Laurel making shade over a clear creek. Umbrella Magnolia leaves catching rain light. Butterfly Milkweed holding still long enough for fritillaries to gather.
What happens when I find one
Curiosity comes first.
Most of these paintings start the same way. I notice something from the water, stop what I am doing, and go look closer.
Sometimes that means pulling the boat toward a shoreline. Sometimes it means climbing a steep bank to get photographs. Sometimes it means coming home and spending hours trying to understand what I found.
When people started telling stories about places they remembered seeing Cumberland Azaleas decades ago, it became clear this was not just a beautiful flower. That is what I love about native plants. One thing opens into another: memory, habitat, geology, pollinators, water, light.
The painting usually starts later. Curiosity comes first.
Plants in place
Specific plants, specific Appalachian habitats.
Each painting begins with a real habitat. These plants are shown where they naturally belong: along creeks, on sandstone banks, beneath forest canopies, and among native pollinator communities.
The reference layer matters to me because it makes the beauty less vague. The plant name is only the beginning. The rock, water, shade, bloom time, surrounding growth, and pollinators all help explain why a place feels the way it does.
01 / Sandstone bankline
Cumberland Azalea on Purple Sandstone
Cumberland Azalea, Rhododendron cumberlandense
They are amazing. I was fascinated before I understood how specific this plant was. The more I learned, the more fascinated I became.
This painting holds the moment when bright orange azalea blooms meet purple sandstone and green lake water. It also holds what happened after: research, conversations, and people remembering places where they had seen Cumberland Azaleas decades ago.
Habitat noteCumberland Azalea is a Southern Appalachian endemic. Here it belongs to steep rock, reflected water, and the kind of bank that makes you stop and look up.
02 / Clear creek shade
Great Laurel Over Clear Creek
Great Laurel, Rhododendron maximum
We always called them rhododendrons. I am amazed by the native white blooms, but the real pull is the place around them: mosses and ferns, dark creek edges, water half hidden under evergreen branches.
This is one of my favorite kinds of places because everything feels tucked in. The sound changes under the leaves. Ferns and mosses take over. The creek is close, but it is not performing for you; it is just moving quietly through the shade.
Great Laurel can make a creek feel secret even when you are standing right beside it. The blooms are bright, but the painting is also about cool reflected water and that tunneled feeling along Appalachian streams.
Habitat noteGreat Laurel often forms dense evergreen cover along creeks, making filtered light and white blooms part of the same quiet corridor.
03 / Shelter under leaves
Beneath Ancient Leaves
Umbrella Magnolia, Magnolia tripetala
Umbrella Magnolias are magical to me and always have been. Nathan and I have waited out the rain under them, and that memory is really the center of this painting.
It is a different kind of shelter than a porch or a roof. It is wet, green, temporary, and alive. You become aware of the leaves above you as architecture.
They are magical in the way they pop up as straight sticks with no leaves, then build a massive canopy out of gigantic leaves. The flower is there, but the shelter is the subject: rain light, ferns, leaf architecture, and a cove that feels older than the trail you took to get there.
Habitat noteUmbrella Magnolia has some of the largest leaves of any native eastern tree. In the painting, those leaves become living shelter.
04 / Pollinator gathering place
Where the Fritillaries Gather
Butterfly Milkweed, Asclepias tuberosa, with Great Spangled Fritillaries
The butterflies are not decoration. I wanted them doing what they would naturally do, because the painting is about a relationship.
Butterfly Milkweed, fritillaries, grasses, black-eyed Susans, rocks, and blue-green reflected water all belong to the same summer place. This piece is the brightest one in the group, but it still comes from the same question: what ingredients have to be present for this living thing to thrive?
Habitat noteButterfly Milkweed supports native pollinators across Appalachia. The painting treats the pollinators as part of the subject, not an ornament added later.
Water is doing the work
This collection belongs beside the lake paintings.
Water is not background in these paintings. It changes the color of everything around it. Creek reflections cool the whites of Great Laurel. Emerald lake water glows beneath Cumberland Azalea. Blue-green reflected light moves through the milkweed and grasses. Even beneath the Umbrella Magnolia, moisture and filtered rain light shape the atmosphere.
That is why these botanical paintings still feel like Lakehouse Portrait Co. They are about what water does to a place, and what you notice when you slow down long enough to see it.
Why these became paintings
Some discoveries stay photographs.
Others keep tugging at me after I get home. These four stayed with me long enough to become paintings: the orange azalea on stone, the white blooms over hidden water, the magnolia leaves that felt like shelter, and the milkweed where the fritillaries gathered.
The painting is what happens when a place keeps asking to be looked at again.
Matte canvas prints
Four native Appalachian botanical prints.
Each print is made on matte canvas with finished wrapped sides, chosen in sizes that protect the shape of the original artwork as much as possible.
Cumberland Azalea on Purple Sandstone
Tall native wildflower canvas print, 10" x 20" through 24" x 48".
Shop $59-$259Great Laurel Over Clear Creek
Native rhododendron creek canvas print, 8" x 10" through 24" x 30".
Shop $49-$189Beneath Ancient Leaves
Umbrella Magnolia botanical canvas print, 8" x 10" through 24" x 32".
Shop $49-$199Where the Fritillaries Gather
Butterfly Milkweed and fritillary canvas print, 8" x 10" through 24" x 30".
Shop $49-$189An archive of noticing
Native plants, remembered in place.
Appalachian Botanicals is a small archive of things noticed while exploring Appalachian water: flowers on a bank, white blooms over a creek, leaves big enough to wait out rain beneath, butterflies gathering where the right plant is blooming.